Stone Jack Jones

I'm Made / Heaven Knows

“There is an otherworldly quality about Stone Jack Jones and his art that makes him a kindred spirit of mine. His music is like discovering a new path through old woods. Singing along with him on 'I’m Made' was like summoning a choir of my own ghosts. This song makes manifest with sound the conundrum of the past year—the uncertainty, the anxiety and, also, the persistent and deathless hope of humanity. “
— Adia Victoria

"I’m Made"
Stone Jack Jones: vox & electric SG-X gibson. hoofer bass
Adia Victoria: vox
Roger Moutenot: ghost guitar w/ebow. moog. microkeyart-korg. vibes. fender bass
Robin Eaton: bowed acoustic guitar & electric guitar
Kyle Hamlett: guitar & vox
Kelly Diehl: vox

"Heaven Knows"
Stone Jack Jones: vox. Guitar. Bass.
Adia Victoria: vox
Mason Hickman: whirlie. Vibes. Teenage Engineering
Roger Mountenot: Hammond

Adia Victoria appears courtesy of Canvasback/Atlantic Recording Corporation

YK-089

After his family discouraged him from becoming a 5th generation coal miner in West Virginia, Stone Jack Jones basically became a vagabond: A travelling musician with no particular place to go, Jones spent time in Ft. Worth, Baltimore, New York City, and Atlanta before settling in Nashville sometime in the early 90s to take a job with a railroad and raise a family. He kept making music, too, and formed a tight bond with a core group of fellow Music City outsiders, including Lambchop mastermind Kurt Wagner, singer-songwriter Patty Griffin, and, crucially, producer-engineer Roger Moutenot (Lou Reed, Yo La Tengo, Sleater-Kinney, Bob Dylan).

With “I’m Made”, Jones finds himself collaborating with another kindred spirit; Adia Victoria. The South Carolina native has her own history of vagabond travels having lived in New York and Atlanta before settling in Nashville, making a name for herself with multiple blues inspired, critically acclaimed releases; 2016’s Beyond the Bloodhounds (coincidentally produced by Moutenot) and 2018’s Silences. In 2020, she released the single “South Gotta Change” as a defiant, rallying testament to the region’s worst attributes.

Jones deep connection with Victoria is rooted in their shared love of the South and their intuitively synchronized creative process. “I’m Made” was written and recorded in 2020 during the height of quarantine or, as Jack puts it, “...it happened in The Isolation.” Lyrically, the song touches on our collective shared paranoia, the anxiety of the unknown future and a dash of longing romanticism; all set against a backdrop of seething guitar and Jones detached delivery. This seemingly dark soundscape is undercut by Victoria’s soaring harmonies breaking through.

Together, the duo proves they know how to tap into the primitive feelings of despair often showcased in blues and folk songs but the dark tone of this song pairing is duplicitous, as they both contain an optimism breaking through that oppressive veil. The Isolation kept everyone at home, locked away from the larger world, making us all a bit lost like vagabonds. Stone Jack Jones and Adia Victoria channel that shared experience into a guiding light towards “a new history & a new beginning” as Jones put it.

Black Snake vinyl

01. I'm Gone
02. Heyell
03. O Brother
04. Mary Mary

05. Story
06. Crying Shame
07. #BeautifulDay
08. I Can See

©2019 House of Bliss (ASCAP)
Mastered by Jim DeMain / Yes Master
Recorded by Roger Moutenot at Haptown Studio
Cover art by Logan Jones, Layout by Michael Eades
Inside Photography by Stone Jack Jones

Stone Jack Jones, Roger Moutenot, Kyle Hamlet, Rodrigo Avendaño, Patrick Damphier, Gyasi, Scott Martin, Luke Schneider, Madeleine Besson, Katie Banyay, Stewart Bronaugh

YK-063